Two Golden Eagles
Saykhan
Holding Saykhan is unexpected as meeting you
after all those years on my own.
Here in the Tien Shan where it’s minus twenty degrees,
with this sudden weight on my gauntlet,
I peer into tawny eyes, see the wolves he’s killed,
swooping onto their napes to knock them down.
If he draws blood he’ll attack but the glove
protects me from his talons and he bears
those jesses that bind him to me.
If he took off he’d lift me with him –
the way we rise into sheer air above the rolling steppe of our bed,
our wing-feathers icicles
while we glide through snow’s embroidered sheets,
our faces cataracts of light.
Kukai
This time it’s you holding a female golden eagle
and I’m her, gripping your hand through the gauntlet,
my hood pulled off as if for the hunt.
You’ve propped me on your arm for a photo
where we’ll always be together.
You’ve noted my beak, my two-inch claws,
how piercing my eyesight is,
and how at home I am in this biting cold.
For the moment I trust you, even when
your fingers feel my wings, so that although tethered,
I start flying in my mind.
And when you follow on horseback to claim
my quarry, I let you believe it’s yours.
I wait until you allow me to feed.
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Yes, the female golden eagle is larger and is the one used for wolf hunts. This photo is of the poet Dauren Kassenov who attended my workshops in Almaty and here he's at Nauryz, the Kazakh New Year festival in March, with his daughter, holding a female eagle. He had just taken part in the yearly traditional poetry battles with audiences of 25,000. Sounds like the Eisteddfod, which I used to sing in when I was a child, only much harder because these 'battles' are improvised. Two poets go on stage and have to answer each other's improvised poems. The audience decides who wins. Even scarier than holding an eagle!